Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor)
Johann Sebastian Bach, Christina Landshamer, Diana Haller, Maarten Engeltjes, Maximilian Schmitt, Konstantin Wolff, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra
Bach: Magnificat - Handel: Dixit Dominus
3:28 January 1, 2013
BPM
91
Key
A♭ Minor
Camelot
1A

Embed

Share Link

Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor) - Johann Sebastian Bach, Christina Landshamer, Diana Haller, Maarten Engeltjes, Maximilian Schmitt, Konstantin Wolff, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra Information

Acousticness
98%
Danceability
14%
Energy
4%
Instrumentalness
1%
Liveness
10%
Loudness
55%
Speechiness
5%
Valence
5%
Popularity
Loudness
-27.294 dB

Summary

"Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor)" by Johann Sebastian Bach, Christina Landshamer, Diana Haller, Maarten Engeltjes, Maximilian Schmitt, Konstantin Wolff, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra was released on January 1, 2013. The duration of Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor) is about 3 minutes long, at 3:28. Based on our data, "Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 20 in Bach: Magnificat - Handel: Dixit Dominus by Bavarian Radio Chorus, Peter Dijkstra. In terms of popularity, Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor) BPM

The tempo marking of Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor) by Johann Sebastian Bach, Christina Landshamer, Diana Haller, Maarten Engeltjes, Maximilian Schmitt, Konstantin Wolff, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor) Key

This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle"Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Maximilian SchmittG Minor36A120 BPM
Wir danken dir, Gott, wir danken dir, BWV 29: Aria. Halleluja, Stark und Macht (Alto) by Johann Sebastian Bach, Hana Blaziková, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki SuzukiWir danken dir, Gott, wir danken dir, BWV 29: Aria. Halleluja, Stark und Macht (Alto)Johann Sebastian Bach, Hana Blaziková, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki SuzukiD♭ Major13B82 BPM
Grande Messe des Morts: V. Graduale: Requiem aeternam - Grave by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisGrande Messe des Morts: V. Graduale: Requiem aeternam - GraveFrancois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisC Major08B72 BPM
Matthäus Passion, Parte Seconda: 38c. Recitative - Evangelist, Peter: Da Hub Er An, Sich Zu Verfluchen by Stephen Cleobury, Martyn Hill, Michael George, Choir of King's College, Cambridge, Rogers Covey-Crump, Johann Sebastian Bach, Emma Kirkby, Michael Chance, David ThomasMatthäus Passion, Parte Seconda: 38c. Recitative - Evangelist, Peter: Da Hub Er An, Sich Zu VerfluchenStephen Cleobury, Martyn Hill, Michael George, Choir of King's College, Cambridge, Rogers Covey-Crump, Johann Sebastian Bach, Emma Kirkby, Michael Chance, David ThomasB Major01B88 BPM
Ich habe genug, BWV 82: Aria: Ich habe genug by Johann Sebastian Bach, Oxford Schola Cantorum, Northern Chamber Orchestra, Nicholas WardIch habe genug, BWV 82: Aria: Ich habe genugJohann Sebastian Bach, Oxford Schola Cantorum, Northern Chamber Orchestra, Nicholas WardC Minor15A64 BPM
Dido and Aeneas / Act 3: Dido and Aeneas / Act 3: "Thy hand, Belinda...When I am laid in earth"Henry Purcell, Carolyn Watkinson, English Baroque Soloists, John Eliot GardinerD♭ Major23B176 BPM
Miserere in C minor: Misere III by Thomas HengelbrockMiserere in C minor: Misere IIIThomas HengelbrockB Minor210A65 BPM
Freue dich, erloste Schar, BWV 30: Part I: Aria: Kommt, ihr angefochtnen Sunder (Alto) by Johann Sebastian Bach, Joanne Lunn, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerFreue dich, erloste Schar, BWV 30: Part I: Aria: Kommt, ihr angefochtnen Sunder (Alto)Johann Sebastian Bach, Joanne Lunn, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerA♭ Major04B109 BPM
Stabat Mater: XII. Fac ut animae donatur by Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicStabat Mater: XII. Fac ut animae donaturAntonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicE♭ Minor12A71 BPM
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto by Cologne Chamber Orchestra, Johann Sebastian BachBrandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non TantoCologne Chamber Orchestra, Johann Sebastian BachC Minor15A83 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.065859079360962

End: 1.0701570510864258