"Messa da Requiem: Agnus Dei: Agnus Dei (Soprano, Alto)" by Giovanni Bottesini, Marta Matheu, Gemma Coma-Alabert, Agustin Prunell-Friend, Enric Martinez-Castignani, Joyful Company Of Singers, London Philharmonic Orchestra, Thomas Martin was released on February 5, 2013. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 14 in Bottesini: Messa da Requiem by Giovanni Bottesini, Thomas Martin. Messa da Requiem: Agnus Dei: Agnus Dei (Soprano, Alto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messa da Requiem: Agnus Dei: Agnus Dei (Soprano, Alto) by Giovanni Bottesini, Marta Matheu, Gemma Coma-Alabert, Agustin Prunell-Friend, Enric Martinez-Castignani, Joyful Company Of Singers, London Philharmonic Orchestra, Thomas Martin is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bottesini: Gran Duo Concertante for Violin and Double Bass | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | E Major | 2 | 12B | 120 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Concerto in B minor for Double-bass and Orchestra: 2. Andante | Giovanni Bottesini, Odon Racz, Franz Liszt Chamber Orchestra | G Major | 0 | 9B | 72 BPM | ||
String Quartet No. 16 in F Major, Op. 135: II. Vivace | Ludwig van Beethoven, Danish String Quartet | F Major | 2 | 7B | 92 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
Gran Duo Concertante on Themes from Bellini's 'I Puritani': A Tempo | Giovanni Bottesini, Dominik Wagner, Jeremias Fliedl, Württembergisches Kammerorchester Heilbronn, Emmanuel Tjeknavorian | A Major | 3 | 11B | 101 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
String Quintet No. 1 in C Minor, Op. 99 "Gran quintetto": IV. Finale. Allegro con brio | Giovanni Bottesini, I Musicanti, Leon Bosch | A Major | 1 | 11B | 137 BPM |
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