Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic's 'Bottesini: Gran Duo Concertante for Violin and Double Bass' came out on January 24, 2020. Bottesini: Gran Duo Concertante for Violin and Double Bass appears to be safe for all ages as it is not explicit. This song is part of Via Bottesini: Concerti e pezzi concertanti by Giovanni Bottesini, Wies de Boevé. The song's track number on the album is #8 out of 8 tracks. Based on our statistics, Bottesini: Gran Duo Concertante for Violin and Double Bass's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bottesini: Gran Duo Concertante for Violin and Double Bass by Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Bottesini: Gran Duo Concertante for Violin and Double Bass being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VI - Andante | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Double Bass Concerto in D Major: I. Allegro moderato | Johann Baptist Vanhal, Zsolt Fejervari, Budapest Ferenc Erkel Chamber Orchestra | A Major | 0 | 11B | 115 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: II. Allegro | César Franck, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 91 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): II. Romance (Allegro non troppo) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 97 BPM | ||
Piano Concerto in E Major, Op. 59: III. Scherzo: Vivace | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Major | 1 | 11B | 71 BPM | ||
Romance, Op. 23 | Amy Beach, Dawn Wohn, Esther Park | A Major | 1 | 11B | 83 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Prélude et Danse: Andante | Giovanni Bottesini, Laurène Durantel, Éric Lacrouts, Catherine Ribes, Anne-Lise Durantel, Valériane Bonnet, Étienne Durantel | D Major | 3 | 10B | 79 BPM |
Section: 0.6922335624694824
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