Giovanni Bottesini, Dominik Wagner, Jeremias Fliedl, Württembergisches Kammerorchester Heilbronn, Emmanuel Tjeknavorian's 'Gran Duo Concertante on Themes from Bellini's 'I Puritani': A Tempo' came out on October 29, 2021. With Gran Duo Concertante on Themes from Bellini's 'I Puritani': A Tempo being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 15 in Bottesini: Revolution of Bass by Giovanni Bottesini, Dominik Wagner, Württembergisches Kammerorchester Heilbronn, Emmanuel Tjeknavorian. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Gran Duo Concertante on Themes from Bellini's 'I Puritani': A Tempo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gran Duo Concertante on Themes from Bellini's 'I Puritani': A Tempo by Giovanni Bottesini, Dominik Wagner, Jeremias Fliedl, Württembergisches Kammerorchester Heilbronn, Emmanuel Tjeknavorian is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Capricieuse Op. 17 | Edward Elgar, Daniel Lozakovich, Stanislav Soloviev | E Major | 1 | 12B | 104 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | B♭ Major | 0 | 6B | 63 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Schumann: 3 Romances, Op. 22: No. 1 Andante molto | Clara Schumann, Emmanuel Pahud, Eric Le Sage | B♭ Major | 0 | 6B | 87 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Sonata for Violin and Piano in A: 1. Allegretto ben moderato | César Franck, Kaja Danczowska, Krystian Zimerman | F♯ Minor | 1 | 11A | 145 BPM | ||
6 Songs, Op. 4 (Transcr. D. Müller-Schott for Cello & Piano): No. 1, Den forældreløse. Andante moderato e doloroso | Edvard Grieg, Daniel Müller-Schott, Herbert Schuch | C Minor | 0 | 5A | 75 BPM |
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