"Ionisation (Live)" by Edgard Varèse, Percurama Percussion Ensemble, Alexander Henriksen, Sisse Tomczyk, Bernard Grodos, Julian Belli, Mads Hebsgaard, Lars Vestergaard, Jean Thorel, Christian Back, René C. Jørgensen, Vladimir Kaplan, Jakob Johansson, Basilias Panagiotis, Andres Ramos, Neeraj Mehta was released on January 29, 2021. Ionisation (Live) is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 11 out of 11 in American Percussion Works by Percurama Percussion Ensemble, Signe Asmussen, Niklas Walentin, Jean Thorel. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, Ionisation (Live)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ionisation (Live) by Edgard Varèse, Percurama Percussion Ensemble, Alexander Henriksen, Sisse Tomczyk, Bernard Grodos, Julian Belli, Mads Hebsgaard, Lars Vestergaard, Jean Thorel, Christian Back, René C. Jørgensen, Vladimir Kaplan, Jakob Johansson, Basilias Panagiotis, Andres Ramos, Neeraj Mehta is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM | ||
3 Klavierstücke, Op. 11: No. 1, Mäßige Viertel | Arnold Schoenberg, Glenn Gould | A♭ Major | 0 | 4B | 79 BPM | ||
In Nomine-Instrumentation colorée I (2001) for flute, oboe, bass clarinet, percussion, piano, violin, viola and Violoncello | John Taverner, Gérard Pesson, Ensemble Recherche | D Major | 3 | 10B | 120 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B♭ Minor | 3 | 3A | 90 BPM | ||
Pierrot Lunaire, Op. 21 / Part 1: II. Colombine | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | A♭ Major | 0 | 4B | 112 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Threads: II. Recitative - | Paul Lansky, Sō Percussion | B♭ Minor | 2 | 3A | 156 BPM | ||
SBP | KNOXVILLETRACKZ | F♯ Major | 0 | 2B | 81 BPM |
Section: 0.7826058864593506
End: 0.7867851257324219