"Pierrot Lunaire, Op. 21 / Part 1: II. Colombine" by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez was released on January 1, 1998. With Pierrot Lunaire, Op. 21 / Part 1: II. Colombine being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Pierrot Lunaire, Op. 21 / Part 1: II. Colombine is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pierrot Lunaire, Op. 21 / Part 1: II. Colombine by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alexander Nevsky, Op. 78: IV. Arise, Ye Russian People | Sergei Prokofiev, London Symphony Chorus, London Symphony Orchestra, Claudio Abbado | E♭ Major | 2 | 5B | 85 BPM | ||
Mi lagnero tacendo, K. 437 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker | A♭ Major | 2 | 4B | 109 BPM | ||
A Charm of Lullabies, Op. 41: A Cradle Song (Arr. C. Matthews for voice and orchestra) | Benjamin Britten, Catherine Wyn-Rogers, Royal Northern Sinfonia, Steuart Bedford | G Major | 3 | 9B | 130 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / I. The Prologue: Lento moderato | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | C Major | 0 | 8B | 74 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | G Major | 0 | 9B | 100 BPM | ||
Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Ewa Podles, Cracow Boys' Choir, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 78 BPM | ||
String Quartet No.2 In A Major, Op.68: 1. Overture (Moderato con moto) - Live | Dmitri Shostakovich, Emerson String Quartet | D Major | 1 | 10B | 146 BPM | ||
Structures, Book 1: Piece No. 1 | Pierre Boulez, Yvonne Loriod | F Minor | 0 | 4A | 114 BPM |
Section: 0.6445157527923584
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