"Das Berliner Requiem: Großer Dankchoral (Sostenuto)" by Kurt Weill, Philippe Herreweghe, La Chapelle Royale, Alexandre Laiter, Ensemble Musique Oblique had its release date on November 6, 2007. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: Das Berliner Requiem by Kurt Weill, Philippe Herreweghe. The song's track number on the album is #7 out of 12 tracks. Based on our data, France was the country where this track was produced or recorded. Das Berliner Requiem: Großer Dankchoral (Sostenuto) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Das Berliner Requiem: Großer Dankchoral (Sostenuto) by Kurt Weill, Philippe Herreweghe, La Chapelle Royale, Alexandre Laiter, Ensemble Musique Oblique has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Das Berliner Requiem: Großer Dankchoral (Sostenuto) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
Pequeña Czarda (Arr. Harle) | Pedro Iturralde, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | C Minor | 4 | 5A | 92 BPM | ||
Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan" | Richard Strauss, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D♭ Major | 1 | 3B | 85 BPM | ||
Lohengrin, WWV 75: Prelude To Act I | Richard Wagner, Berliner Philharmoniker, Rafael Kubelík | B Major | 1 | 1B | 81 BPM | ||
Chants d'Auvergne, Vol. 1: No. 2. Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 76 BPM | ||
Die Dreigroschenoper: VI. Zweites Dreigroschenfinale: Wovon lebt der Mensch | Kurt Weill, Torsten Mossberg, Karin Hultenberger, Curt Hedlund, Jan Bergnér | G Minor | 2 | 6A | 74 BPM | ||
Badinerie [Orchestral Suite No.2 BWV 1067] | The Swingle Singers | E Minor | 6 | 9A | 128 BPM | ||
Piano Concerto No.1 for piano, trumpet & strings, Op.35: 2. Lento | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Concertgebouworkest, Riccardo Chailly | C Major | 0 | 8B | 69 BPM |