"Rinaldo, HWV 7, Act II, Scene 4: Lascia ch'io pianga" by George Frideric Handel, Sonya Yoncheva, Alessandro De Marchi was released on February 3, 2017. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Sonya Yoncheva's "Handel" album is number 10 out of 11. On top of that, United States appears to be the country where this track was created. The popularity of Rinaldo, HWV 7, Act II, Scene 4: Lascia ch'io pianga is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo, HWV 7, Act II, Scene 4: Lascia ch'io pianga by George Frideric Handel, Sonya Yoncheva, Alessandro De Marchi to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Clemenza di Tito: Se mai senti spirarti sul volto | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 1 | 10B | 91 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Lucia di Lammermoor: Act III: Spargi d'amaro pianto | Gaetano Donizetti, Pretty Yende, Giacomo Sagripanti | E♭ Major | 2 | 5B | 121 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
King Arthur, or The British Worthy (1691) / Act 3: What Power art thou? | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Major | 1 | 1B | 95 BPM | ||
Vivaldi: Giustino, RV 717: "Vedrò con mio diletto" (Anastasio) | Antonio Vivaldi, Philippe Jaroussky, Jean-Christophe Spinosi | B♭ Minor | 0 | 3A | 126 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D♭ Major | 1 | 3B | 82 BPM | ||
Vivaldi: Bajazet, RV 703, Act 2: "Sposa, son disprezzata" (Irene) | Antonio Vivaldi, Sumi Jo, Henk Rubingh, Concertgebouw Chamber Orchestra | F Minor | 1 | 4A | 133 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM |
Section: 0.5882933139801025
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