"Vivaldi: Bajazet, RV 703, Act 2: "Sposa, son disprezzata" (Irene)" by Antonio Vivaldi, Sumi Jo, Henk Rubingh, Concertgebouw Chamber Orchestra was released on January 1, 2006. Since Vivaldi: Bajazet, RV 703, Act 2: "Sposa, son disprezzata" (Irene) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Sumi Jo - Baroque Journey". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Vivaldi: Bajazet, RV 703, Act 2: "Sposa, son disprezzata" (Irene)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vivaldi: Bajazet, RV 703, Act 2: "Sposa, son disprezzata" (Irene) by Antonio Vivaldi, Sumi Jo, Henk Rubingh, Concertgebouw Chamber Orchestra having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Teresa Berganza, English Chamber Orchestra | B Minor | 1 | 10A | 67 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Concerto In A Minor For 2 Violins, Strings, And Continuo, RV 523: 3. Allegro | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | A Minor | 3 | 8A | 133 BPM | ||
Juditha Triumphans, RV 644: Armatae face | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | D♭ Major | 4 | 3B | 63 BPM | ||
Lucia di Lammermoor / Act 2: "O giusto cielo!" | Gaetano Donizetti, Anna Netrebko, Coro Sinfonico di Milano Giuseppe Verdi, Mahler Chamber Orchestra, Claudio Abbado | F Minor | 0 | 4A | 95 BPM | ||
Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM | ||
Il Sedecia, Rè di Gerusalemme: "Caldo Sangue" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B♭ Minor | 0 | 3A | 82 BPM | ||
Gloria in D Major, RV 589: No. 8, Domine Deus, Agnus Dei | Antonio Vivaldi, Sara Mingardo, Concerto Italiano, Akademia Vocal Ensemble, Rinaldo Alessandrini | D♭ Minor | 0 | 12A | 177 BPM | ||
Turandot / Act 1: Non piangere Liù | Giacomo Puccini, Luciano Pavarotti, Montserrat Caballé, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 4 | 2A | 111 BPM | ||
Nisi Dominus, RV 608: IV. Cum dederit | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky | G Minor | 0 | 6A | 80 BPM |
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