"Nisi Dominus, RV 608: IV. Cum dederit" by Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky was released on January 2, 2008. With this song being about 5 minutes long, at 5:10, "Nisi Dominus, RV 608: IV. Cum dederit" by Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: Nisi Dominus, Stabat Mater by Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi. The song's track number on the album is #4 out of 19 tracks. Based on our data, France was the country where this track was produced or recorded. Nisi Dominus, RV 608: IV. Cum dederit is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nisi Dominus, RV 608: IV. Cum dederit by Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nisi Dominus, RV 608: IV. Cum dederit being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
Credo, R.592: 4. Allegro: Et resurrexit | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers | G Major | 3 | 9B | 101 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Chiamo il mio ben così ... Piango il mio ben così" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 89 BPM | ||
Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM | ||
Pavane Op. 50 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | F♯ Minor | 0 | 11A | 97 BPM | ||
Mysliveček: L'Olimpiade: "Mentre dormi" (Licida) | Josef Mysliveček, Philippe Jaroussky, Vaclav Luks | F♯ Minor | 1 | 11A | 99 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo) | Francesco Cavalli, Philippe Jaroussky | G Major | 2 | 9B | 70 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Queste pungente spine | Benedetto Ferrari, Christina Pluhar | G Major | 1 | 9B | 115 BPM |
Section: 0.5426783561706543
End: 0.5467960834503174