Betsy Jolas, Concord String Quartet made "Quatuor III "9 Etudes": VI. Multiple Stops" available on February 15, 2010. The duration of Quatuor III "9 Etudes": VI. Multiple Stops is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Quatuor III "9 Etudes": VI. Multiple Stops's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 12 in Betsy Jolas & Lejaren Hiller: String Quartets by Concord String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Quatuor III "9 Etudes": VI. Multiple Stops is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Quatuor III "9 Etudes": VI. Multiple Stops by Betsy Jolas, Concord String Quartet is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | G Major | 1 | 9B | 75 BPM | ||
Lemminkäinen, Op. 22: II. The Swan of Tuonela. Andante molto sostenuto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Concerto pour violon et orchestre: III. Intermezzo: Presto fluido | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
Nursery rhyme: Hold on, I'm coming for you | Shiuan Chang, Evan Wong | C Minor | 2 | 5A | 73 BPM | ||
Clarinet Quintet: III. Drunken Waltz | Jan van Landeghem, Eddy Vanoosthuyse, Zemlinsky Quartet | F Minor | 1 | 4A | 131 BPM | ||
Messiaen: Éclairs sur l'au-delà...: IV. Les élus marqués du sceau | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Concierto Pastoral for Flute and Orchestra: II. Adagio | Joaquín Rodrigo, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | F♯ Minor | 0 | 11A | 80 BPM | ||
Kartsilamades: No. 3, Allegro (Arr. Sollima) | Traditional, Giovanni Sollima, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | ||
Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) | RTÉ National Symphony Orchestra, Havergal Brian | F Minor | 0 | 4A | 85 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM |
Section: 0.694589376449585
End: 0.6995878219604492