RTÉ National Symphony Orchestra, Havergal Brian's 'Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache)' came out on December 31, 1999. With Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 11 out of 28 in Brian: Symphonies Nos. 11 And 15 by RTÉ National Symphony Orchestra. Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) by RTÉ National Symphony Orchestra, Havergal Brian is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento, Op.18: I. Prelude. Moderato | Lennox Berkeley, Sinfonia Of London, John Wilson | D♭ Major | 1 | 3B | 119 BPM | ||
Suite No.2 from "Namouna": No. 5, Presto | Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi | G Minor | 2 | 6A | 179 BPM | ||
March from Symphonic Metamorfosis IV | Paul Hindemith, Göteborg Wind Orchestra, Christian Lindberg | B♭ Major | 3 | 6B | 72 BPM | ||
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
Petrushka, K12 (1947 Version): IVb. Dance of the Wet-Nurses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
An Irish Symphony: On the Shores of Lough Neagh | Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn | D Minor | 1 | 7A | 92 BPM | ||
Suite No. 2, P. 138: I. Laura Soave: Balletto Con Gagliarda, Saltarello E Canario: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | G Major | 0 | 9B | 107 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Prokofiev: Symphony No. 4 in C Major, Op. 47: I. Andante assai - Allegro eroico | Sergei Prokofiev, Mstislav Rostropovich, Orchestre National De France | C Major | 1 | 8B | 122 BPM |
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