"An Irish Symphony: On the Shores of Lough Neagh" by Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn was released on March 14, 2001. An Irish Symphony: On the Shores of Lough Neagh appears to be safe for all ages as it is not explicit. The track order of this song in Hamilton Harty's "Harty: Irish Symphony (An) / With the Wild Geese / In Ireland" album is number 3 out of 6. In terms of popularity, An Irish Symphony: On the Shores of Lough Neagh is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of An Irish Symphony: On the Shores of Lough Neagh by Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, ORF Vienna Radio Symphony Orchestra, John Jeter | A Major | 0 | 11B | 64 BPM | ||
Gabriel's Oboe (From "The Mission") | Ennio Morricone, Diana Doherty, Mark Summerbell, Sinfonia Australis | D Major | 2 | 10B | 84 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 2. Adagio | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | E♭ Major | 1 | 5B | 85 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Sibelius: Karelia Suite, Op. 11: II. Ballade | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Eternal Source Of Light Divine (Ode For The Birthday Of Queen Anne), HWV 74 | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | D♭ Major | 2 | 3B | 76 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM | ||
Coppelia Ballet Suite: Music of the Automata and Waltz | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E Major | 1 | 12B | 122 BPM | ||
Harp Concerto in C Major: III. Rondo. Allegro agitato | François-Adrien Boieldieu, Jutta Zoff, Staatskapelle Dresden, Siegfried Kurz | C Minor | 1 | 5A | 143 BPM |
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