Ottorino Respighi, RTÉ National Symphony Orchestra's 'Suite No. 2, P. 138: I. Laura Soave: Balletto Con Gagliarda, Saltarello E Canario: Andantino' came out on November 29, 1996. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Respighi: Ancient Airs And Dances, Suites Nos. 1-3". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Suite No. 2, P. 138: I. Laura Soave: Balletto Con Gagliarda, Saltarello E Canario: Andantino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 2, P. 138: I. Laura Soave: Balletto Con Gagliarda, Saltarello E Canario: Andantino by Ottorino Respighi, RTÉ National Symphony Orchestra having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
An Irish Symphony: In the Antrim Hills | Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn | F Major | 0 | 7B | 79 BPM | ||
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room | Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 118 BPM | ||
Holberg Suite, Op.40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 79 BPM | ||
Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
L'apprenti sorcier | Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | D♭ Major | 3 | 3B | 117 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM |
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