"Concerto pour violon et orchestre: III. Intermezzo: Presto fluido" by György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang was released on March 22, 2024. The duration of Concerto pour violon et orchestre: III. Intermezzo: Presto fluido is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Concerto pour violon et orchestre: III. Intermezzo: Presto fluido's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in György Ligeti, Ensemble Intercontemporain, Pierre Bleuse's "Ligeti" album is number 3 out of 37. On top of that, France appears to be the country where this track was created. Based on our statistics, Concerto pour violon et orchestre: III. Intermezzo: Presto fluido's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto pour violon et orchestre: III. Intermezzo: Presto fluido by György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Partita Suite No. 1 for String Orchestra, H.212: III. Andante Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 100 BPM | ||
Tristan: I. Prologue | Hans Werner Henze, Igor Levit, Franz Welser-Möst, Gewandhausorchester | E Minor | 0 | 9A | 94 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 137 BPM | ||
String Quartet No. 4, Sz. 91: 5. Allegro molto | Béla Bartók, Tokyo String Quartet | A Major | 1 | 11B | 93 BPM | ||
Turangalîla-Symphony: X. Final. Modéré, presque vif, avec une grande joie | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Statements for Orchestra: I. Militant | Aaron Copland, London Symphony Orchestra | A♭ Major | 1 | 4B | 111 BPM | ||
Sonatina for Piano 4 Hands: III. Vivace | György Ligeti, Pierre-Laurent Aimard, Irina Kataeva | D♭ Major | 2 | 3B | 102 BPM | ||
Piano Quartet | Huw Watkins, Leonore Piano Trio, Rachel Roberts | D♭ Major | 1 | 3B | 102 BPM | ||
Lux Aeterna: I. Andante misterioso | Rihards Dubra, Saxtett | G Major | 0 | 9B | 66 BPM |
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