"Clarinet Quintet: III. Drunken Waltz" by Jan van Landeghem, Eddy Vanoosthuyse, Zemlinsky Quartet was released on May 3, 2024. The duration of Clarinet Quintet: III. Drunken Waltz is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Clarinet Quintet: III. Drunken Waltz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Nashville Concerto". In this album, this song's track order is #3. Based on our statistics, Clarinet Quintet: III. Drunken Waltz's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Clarinet Quintet: III. Drunken Waltz by Jan van Landeghem, Eddy Vanoosthuyse, Zemlinsky Quartet having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Easter | Jasha Klebe | G Minor | 1 | 6A | 74 BPM | ||
French Quadrilogy: No. 1, The Girl on a Flaxen Horse | Aivars Kalējs, Trio NYX | D♭ Major | 2 | 3B | 151 BPM | ||
Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Violin Concerto: I. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | F Major | 1 | 7B | 106 BPM | ||
Scaramouche, Op. 165b: III. Brazileira - Arr. for Sextet by R. Leleu | Romain Leleu Sextet, Romain Leleu | G Minor | 0 | 6A | 82 BPM | ||
Stravinsky: Concerto for String Orchestra in D Major: I. Vivace | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | D Major | 1 | 10B | 97 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
Valses nobles et sentimentales (version for orchestra): II. Assez lent | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | D Major | 1 | 10B | 90 BPM |
Section: 0.6835525035858154
End: 0.6874690055847168