"Ceremony of Carols, Op. 28: 8. Interlude" by Benjamin Britten, Marisa Robles, George Guest had its release date on November 1, 1966. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 18 out of 22 in Britten: A Ceremony Of Carols; Rejoice In The Lamb; Missa Brevis by Benjamin Britten, Choir of St. John's College, Cambridge, Marisa Robles, Brian Runnett, George Guest. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Ceremony of Carols, Op. 28: 8. Interlude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ceremony of Carols, Op. 28: 8. Interlude by Benjamin Britten, Marisa Robles, George Guest is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 113 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 0 | 9A | 68 BPM | ||
Sally In Our Alley | Traditional, Sir Peter Pears, Benjamin Britten | G Major | 1 | 9B | 86 BPM | ||
Appalachian Spring - 1945 Suite: 3. Moderato: The Bride and her Intended | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Minor | 0 | 12A | 170 BPM | ||
Peter Grimes, Op.33 / Prologue: "Peter Grimes!" | Benjamin Britten, David Kelly, Owen Brannigan, Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 104 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM |