"String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo" by Antonín Dvořák, Hagen Quartett was released on January 1, 1987. Since String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 11 in Dvorák: String Quartet No.12 "American"; Cypresses / Kodály: String Quartet No.2 by Antonín Dvořák, Hagen Quartett. In terms of popularity, String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo by Antonín Dvořák, Hagen Quartett is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
RUSALKA · Lyrisches Märchen in 3 Akten (1 Arie): - Gleitender Mond Du, So Silberzart (Lied Der Rusalka An Den Mond, 1.Akt) | Antonín Dvořák, Jaroslav Kvapil, Elisabeth Lindermeier /Berliner Philharmoniker/Rudolf Kempe, Rudolf Kempe, Berliner Philharmoniker | E Major | 1 | 12B | 75 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 1. Prelude | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 80 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
String Quartet No. 5 in F Minor, Op. 9, B. 37: II. Andante con moto quasi allegretto | Antonín Dvořák, Vlach Quartet Prague | A♭ Major | 1 | 4B | 132 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |
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