"Le tombeau de Couperin (version for orchestra): No. 1. Prelude" by Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin was released on November 5, 2013. The duration of Le tombeau de Couperin (version for orchestra): No. 1. Prelude is about 3 minutes long, at 3:09. Based on our data, "Le tombeau de Couperin (version for orchestra): No. 1. Prelude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Ravel: Orchestral Works, Vol. 2". In this album, this song's track order is #12. Le tombeau de Couperin (version for orchestra): No. 1. Prelude is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le tombeau de Couperin (version for orchestra): No. 1. Prelude by Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, Op. 9: No. 3 in B Major | Frédéric Chopin, Arthur Rubinstein | F♯ Major | 0 | 2B | 166 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | ||
Intermezzi, Op. 117: 2. In B-Flat Minor | Johannes Brahms, Radu Lupu | B♭ Minor | 0 | 3A | 70 BPM | ||
Henry V - Suite (arr. Mathieson): IV. Touch her soft lips and part | William Walton, Philharmonia Orchestra | C Major | 0 | 8B | 71 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Piano Concerto, Op. 38: 2. Moderato | Samuel Barber, Elizabeth Joy Roe, London Symphony Orchestra, Emil Tabakov | D Major | 1 | 10B | 110 BPM | ||
Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Minor | 0 | 5A | 124 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante | Franz Schubert, Krystian Zimerman | F♯ Major | 0 | 2B | 61 BPM |
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