"Henry V - Suite (arr. Mathieson): IV. Touch her soft lips and part" by William Walton, Philharmonia Orchestra was released on 2000. With Henry V - Suite (arr. Mathieson): IV. Touch her soft lips and part being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Walton: Henry V - Scenes from the film, and other film music by William Walton. The song's track number on the album is #11 out of 28 tracks. Henry V - Suite (arr. Mathieson): IV. Touch her soft lips and part is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Henry V - Suite (arr. Mathieson): IV. Touch her soft lips and part by William Walton, Philharmonia Orchestra has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Henry V - Suite (arr. Mathieson): IV. Touch her soft lips and part being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Walton : Incidental Music to Henry V : 'Touch her soft lips and part' | William Walton, Chamber Orchestra of Europe, Douglas Boyd | C Major | 0 | 8B | 77 BPM | ||
Delius: 2 Aquarelles: No. 2, Gaily, But Not Quick (Arr. Fenby for String Orchestra) | Frederick Delius, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
The Firebird Suite, K010, (1945 Version): X. Infernal dance of King Kashchei | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | A Major | 3 | 11B | 113 BPM | ||
There Will Come | Rebecca Dale, Philharmonia Orchestra, Michael Collins, Steven Isserlis | B♭ Major | 1 | 6B | 67 BPM | ||
Swan Lake, Op. 20, Act I No. 10: Scene: Moderato | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias Rouvali | E Minor | 2 | 9A | 82 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Tango Pasadobloe. Scotch Rhapsody. Lullaby for Jumbo | Edith Sitwell, William Walton | C Major | 1 | 8B | 131 BPM |
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