Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani's 'Glinka: Overture from Ruslan and Ludmilla' came out on June 17, 2007. Glinka: Overture from Ruslan and Ludmilla is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. There are a total of 26 in the song's album "Orff: Carmina Burana & Glinka: Overture from Ruslan and Ludmilla". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United Kingdom. Glinka: Overture from Ruslan and Ludmilla is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Glinka: Overture from Ruslan and Ludmilla by Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
Passione | Nicola Valente, Ernesto Tagliaferri, Plácido Domingo, Eugene Kohn, Budapest Philharmonic Orchestra | A Minor | 2 | 8A | 85 BPM | ||
Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 132 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
The Bird Seller: "Ich bin der Prodecan" (Instrumental Version) | Carl Zeller, Budapest Philharmonic Orchestra, Janos Sandor | B♭ Major | 1 | 6B | 128 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Masquerade Suite: Mazurka | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 3 | 4B | 178 BPM | ||
Scheherazade: The Fight | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 1 | 9A | 80 BPM |
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