"Appalachian Spring - 1945 Suite: 3. Moderato: The Bride and her Intended" by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta was released on January 1, 1996. The duration of Appalachian Spring - 1945 Suite: 3. Moderato: The Bride and her Intended is about 3 minutes long, at 3:29. Based on our data, "Appalachian Spring - 1945 Suite: 3. Moderato: The Bride and her Intended" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 30 in Copland: Appalachian Spring; Lincoln Portrait; Fanfare; Rodeo, etc. by Aaron Copland, Zubin Mehta, Antal Doráti, Sir Neville Marriner, Traditional. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Appalachian Spring - 1945 Suite: 3. Moderato: The Bride and her Intended is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring - 1945 Suite: 3. Moderato: The Bride and her Intended by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino | Paul Hindemith, Leonard Bernstein, New York Philharmonic | F Minor | 1 | 4A | 84 BPM | ||
Billy the Kid Suite: III. Mexican Dance and Finale | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 141 BPM | ||
The Tender Land (Opera in Three Acts): Act 2: That evening. Lively and rough | Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic | F Minor | 1 | 4A | 91 BPM | ||
Embraceable You | George Gershwin, Zubin Mehta, New York Philharmonic | C Major | 1 | 8B | 68 BPM | ||
Pictures at an Exhibition: Promenade II | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 81 BPM | ||
Concerto For Violin And Strings In F, Op.8, No.3, RV.293 "L'autunno": 2. Adagio molto (Ubriachi dormienti) - Live | Antonio Vivaldi, Shlomo Mintz, Israel Philharmonic Orchestra, Zubin Mehta | B♭ Major | 1 | 6B | 121 BPM | ||
An der schönen blauen Donau, Op. 314 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | D Major | 1 | 10B | 96 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
La Revue de cuisine: 2. Tango | Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 90 BPM |
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