- BPM
- 74
- Key
- B Minor
- Camelot
- 10A
Molly on the shore, BFMS19 (arr. Kreisler) - 1995 Remastered Version - Percy Grainger, Itzhak Perlman, Samuel Sanders Information
- Acousticness
- 97%
- Danceability
- 14%
- Energy
- 10%
- Instrumentalness
- 16%
- Liveness
- 20%
- Loudness
- 59%
- Speechiness
- 7%
- Valence
- 19%
- Popularity
- 2%
- Loudness
- -24.765 dB
Summary
"Molly on the shore, BFMS19 (arr. Kreisler) - 1995 Remastered Version" by Percy Grainger, Itzhak Perlman, Samuel Sanders was released on September 12, 2000. The duration of Molly on the shore, BFMS19 (arr. Kreisler) - 1995 Remastered Version is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Molly on the shore, BFMS19 (arr. Kreisler) - 1995 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Itzhak Perlman's "Itzhak Perlman's Greatest Hits: Volume II" album is number 14 out of 21. On top of that, United Kingdom appears to be the country where this track was created. Molly on the shore, BFMS19 (arr. Kreisler) - 1995 Remastered Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Molly on the shore, BFMS19 (arr. Kreisler) - 1995 Remastered Version BPM
We consider the tempo marking of Molly on the shore, BFMS19 (arr. Kreisler) - 1995 Remastered Version by Percy Grainger, Itzhak Perlman, Samuel Sanders to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Molly on the shore, BFMS19 (arr. Kreisler) - 1995 Remastered Version Key
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Red Pony Suite: VI. Happy Ending | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 3 | 7B | 76 BPM | |
 | Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | |
 | Symphony No. 1, "The Lord of the Rings": I. Gandalf (The Wizard) | Johan de Meij, Peabody Conservatory Wind Ensemble, Harlan D. Parker | E Major | 1 | 12B | 142 BPM | |
 | Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch | A Major | 3 | 11B | 90 BPM | |
 | Flourish for Wind Band | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Major | 2 | 7B | 111 BPM | |
 | Symphony No. 2, Op. 30, "Romantic": III. Allegro con brio | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | D♭ Major | 2 | 3B | 136 BPM | |
 | The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture | Dmitri Shostakovich, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald | C Minor | 3 | 5A | 117 BPM | |
 | El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | |
 | Rodeo: No. 1, Buckaroo Holiday | Aaron Copland, Colorado Symphony, Andrew Litton | F Major | 2 | 7B | 131 BPM | |
 | Suite française : I. Normandie | Gérard Besse, Denis Fourio, Big Band des équipages de la flotte de Toulon | B♭ Major | 3 | 6B | 128 BPM |
- ISRC
- GBAYC9501133
- Label
- L-M Records/RCA Records
Section: 0.7758312225341797
End: 0.7806448936462402