- BPM
- 76
- Key
- F Major
- Camelot
- 7B
The Red Pony Suite: VI. Happy Ending - Aaron Copland, Buffalo Philharmonic Orchestra Information
- Acousticness
- 89%
- Danceability
- 34%
- Energy
- 32%
- Instrumentalness
- 64%
- Liveness
- 7%
- Loudness
- 72%
- Speechiness
- 7%
- Valence
- 41%
- Popularity
- 5%
- Loudness
- -17.042 dB
Summary
Aaron Copland, Buffalo Philharmonic Orchestra made "The Red Pony Suite: VI. Happy Ending" available on August 31, 2006. The duration of The Red Pony Suite: VI. Happy Ending is about 3 minutes long, at 3:10. Based on our data, "The Red Pony Suite: VI. Happy Ending" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 13 in Copland: Prairie Journal / The Red Pony Suite / Letter From Home by Aaron Copland. The Red Pony Suite: VI. Happy Ending is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The Red Pony Suite: VI. Happy Ending BPM
The tempo marking of The Red Pony Suite: VI. Happy Ending by Aaron Copland, Buffalo Philharmonic Orchestra is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The Red Pony Suite: VI. Happy Ending Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | |
 | Wood Notes: II. Autumn Night: Lightly | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 0 | 7A | 106 BPM | |
 | Overture To Candide | United States Marine Band | B♭ Major | 2 | 6B | 147 BPM | |
 | Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | F♯ Minor | 0 | 11A | 78 BPM | |
 | Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935): Scene I (Prelude) | Aaron Copland, London Sinfonietta, Oliver Knussen | A♭ Major | 1 | 4B | 139 BPM | |
 | The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | |
 | Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | |
 | Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | |
 | 3 Latin American Sketches: Paisaje Mexicano | Aaron Copland, Nashville Chamber Orchestra, Paul Gambill | F♯ Major | 0 | 2B | 70 BPM | |
 | Scythian Suite, Op. 20: III. Night | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 0 | 8B | 178 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6527388095855713
End: 0.6559193134307861