- BPM
- 139
- Key
- A♭ Major
- Camelot
- 4B
Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935): Scene I (Prelude) - Aaron Copland, London Sinfonietta, Oliver Knussen Information
- Acousticness
- 89%
- Danceability
- 44%
- Energy
- 10%
- Instrumentalness
- 93%
- Liveness
- 31%
- Loudness
- 57%
- Speechiness
- 6%
- Valence
- 19%
- Popularity
- 10%
- Loudness
- -25.694 dB
Summary
"Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935): Scene I (Prelude)" by Aaron Copland, London Sinfonietta, Oliver Knussen was released on January 1, 1994. With Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935): Scene I (Prelude) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 20 in Copland: Grohg; Prelude for Chamber Orchestra; Hear Ye! Hear Ye! by Aaron Copland, Cleveland Orchestra, London Sinfonietta, Oliver Knussen. Based on our statistics, Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935): Scene I (Prelude)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935): Scene I (Prelude) BPM
The tempo marking of Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935): Scene I (Prelude) by Aaron Copland, London Sinfonietta, Oliver Knussen is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Hear Ye! Hear Ye! - Ballet in One Act (1934) - Version for small orchestra (1935): Scene I (Prelude) Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | |
 | Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | |
 | Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | |
 | Fantasia (completed by K. Russman) | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 82 BPM | |
 | Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | |
 | Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | C Major | 1 | 8B | 131 BPM | |
 | Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | |
 | Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | |
 | The Boatman's Dance (Mistrel Song) | Aaron Copland, Bruce Hubbard, Orchestra of St. Luke's, Saint Luke's Chamber Ensemble, Dennis Russell Davies | A Major | 1 | 11B | 113 BPM | |
 | Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6882870197296143
End: 0.6930594444274902