"Lorsque vous n'aurez rien à faire" by Dawn Upshaw was released on November 18, 2016. The duration of Lorsque vous n'aurez rien à faire is about 3 minutes long, at 3:01. Based on our data, "Lorsque vous n'aurez rien à faire" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Lesley Barber's "Manchester by the Sea (Original Motion Picture Soundtrack)" album is number 15 out of 16. On top of that, United States appears to be the country where this track was created. Lorsque vous n'aurez rien à faire is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lorsque vous n'aurez rien à faire by Dawn Upshaw to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spiegel im Spiegel, for Viola & Piano | Arvo Pärt, Benjamin Hudson, Jürgen Kruse | F Major | 0 | 7B | 80 BPM | ||
Ainadamar / Act 2: Federico: 5. Arresto | Osvaldo Golijov, Jesús Montoya, Dawn Upshaw, Kelley O'Connor, Atlanta Symphony Orchestra, Robert Spano, Ladies of the Atlanta Symphony Chorus, Norman Mackenzie | D♭ Major | 1 | 3B | 140 BPM | ||
Canteloube: Chants d'Auvergne, Book 1: Bailèro | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon | C Minor | 2 | 5A | 80 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 78 BPM | ||
Fauré / Arr. Rutter: Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Edward Higginbottom, Capricorn, Choir of New College, Oxford | D♭ Major | 1 | 3B | 73 BPM | ||
Madame Butterfly, Act 2: "Un bel di vedremo" | Maria Callas | D♭ Major | 1 | 3B | 169 BPM | ||
Vesperae Solennes de Confessore in C Major, K. 339: V. Laudate Dominum | Nicholas Britell | F Major | 1 | 7B | 84 BPM | ||
Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Patricia Petibon, Karine Deshayes, Orchestre De L'Opéra National De Lyon, Yves Abel | B Major | 1 | 1B | 172 BPM | ||
What a Curse for a Woman Is a Timid Man | Gian Carlo Menotti, Dawn Upshaw, David Zinman, Orchestra of St. Luke's | F Major | 1 | 7B | 89 BPM | ||
Schubert: Ave Maria, Op. 52 No. 6, D. 839 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | B♭ Major | 1 | 6B | 176 BPM |
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