"Ainadamar / Act 2: Federico: 5. Arresto" by Osvaldo Golijov, Jesús Montoya, Dawn Upshaw, Kelley O'Connor, Atlanta Symphony Orchestra, Robert Spano, Ladies of the Atlanta Symphony Chorus, Norman Mackenzie was released on January 1, 2006. With this song being about 5 minutes long, at 4:34, "Ainadamar / Act 2: Federico: 5. Arresto" by Osvaldo Golijov, Jesús Montoya, Dawn Upshaw, Kelley O'Connor, Atlanta Symphony Orchestra, Robert Spano, Ladies of the Atlanta Symphony Chorus, Norman Mackenzie is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Osvaldo Golijov, Atlanta Symphony Orchestra, Robert Spano's "Golijov: Ainadamar" album is number 11 out of 20. Based on our statistics, Ainadamar / Act 2: Federico: 5. Arresto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ainadamar / Act 2: Federico: 5. Arresto by Osvaldo Golijov, Jesús Montoya, Dawn Upshaw, Kelley O'Connor, Atlanta Symphony Orchestra, Robert Spano, Ladies of the Atlanta Symphony Chorus, Norman Mackenzie to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Contact: III. Contact | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | G Major | 6 | 9B | 146 BPM | ||
Naqoyqatsi | Philip Glass, Matt Haimovits, Dennis Russell Davies, Cincinnati Symphony Orchestra | E♭ Major | 3 | 5B | 155 BPM | ||
II. White Man Sleeps | Kevin Volans, Kronos Quartet | E Minor | 1 | 9A | 128 BPM | ||
Glass: Company for String Orchestra, Movement II | Philip Glass, Gidon Kremer | D Minor | 1 | 7A | 181 BPM | ||
Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 3 | 7B | 117 BPM | ||
Ainadamar / Act 2: Federico: 4. Quiero cantar entre las explosiones | Osvaldo Golijov, Kelley O'Connor, Dawn Upshaw, Atlanta Symphony Orchestra, Robert Spano | B Minor | 6 | 10A | 92 BPM | ||
String Quartet No. 14, "Quamby": I. Prelude | Peter Sculthorpe, Stephen Kent, Del Sol Quartet | C Major | 1 | 8B | 78 BPM | ||
Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM |
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