"Concerto grosso no.1 (1976-77): 1. Preludio: Andante" by Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff was released on January 1, 1986. With this song being about 5 minutes long, at 4:58, "Concerto grosso no.1 (1976-77): 1. Preludio: Andante" by Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Schnittke: Concerto grosso No.1; Quasi una sonata; Moz-Art à la Haydn". In this album, this song's track order is #1. In terms of popularity, Concerto grosso no.1 (1976-77): 1. Preludio: Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto grosso no.1 (1976-77): 1. Preludio: Andante by Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': III. Con moto. Vivo. Andante | Leoš Janáček, Jerusalem Quartet | F♯ Major | 2 | 2B | 129 BPM | ||
L'Histoire du soldat - Concert Suite / Part 2: Three Dances (Tango-Waltz-Ragtime) | Igor Stravinsky, Gidon Kremer, Eduard Brunner, Aloys Kontarsky, Alexandre Rabinovitch, Lukas Hagen, Krista Bennion Feeney, Tabea Zimmermann, Clemens Hagen, Martin Wieland | A♭ Major | 4 | 4B | 139 BPM | ||
Paert: Darf ich | Arvo Pärt, Gidon Kremer | D Major | 0 | 10B | 137 BPM | ||
Fantasia In C Major, Op.159, D.934: 2. Allegretto | Franz Schubert, Gidon Kremer, Valery Afanassiev | G Major | 0 | 9B | 75 BPM | ||
Verklärte Nacht, Op. 4: Grave (Takt 1) | Arnold Schoenberg, Orpheus Chamber Orchestra | F Major | 5 | 7B | 84 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Vocalise No. 2 - Andantino | Milosz Magin, Lucas Debargue, Gidon Kremer | N/A | N/A | N/A | 0 BPM | ||
Lamentate: Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | ||
String Quartet No. 2, Op. 10: I. Mäßig | Arnold Schoenberg, Malin Hartelius, Gringolts Quartet | G Major | 1 | 9B | 80 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM |
Section: 0.7630584239959717
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