Concerto grosso no.1 (1976-77): 1. Preludio: Andante
Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff
Schnittke: Concerto grosso No.1; Quasi una sonata; Moz-Art à la Haydn
4:58 January 1, 1986
BPM
93
Key
C Minor
Camelot
5A

Embed

Share Link

Concerto grosso no.1 (1976-77): 1. Preludio: Andante - Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff Information

Acousticness
96%
Danceability
17%
Energy
2%
Instrumentalness
4%
Liveness
7%
Loudness
65%
Speechiness
4%
Valence
3%
Popularity
Loudness
-21.22 dB

Summary

"Concerto grosso no.1 (1976-77): 1. Preludio: Andante" by Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff was released on January 1, 1986. With this song being about 5 minutes long, at 4:58, "Concerto grosso no.1 (1976-77): 1. Preludio: Andante" by Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Schnittke: Concerto grosso No.1; Quasi una sonata; Moz-Art à la Haydn". In this album, this song's track order is #1. In terms of popularity, Concerto grosso no.1 (1976-77): 1. Preludio: Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concerto grosso no.1 (1976-77): 1. Preludio: Andante BPM

With Concerto grosso no.1 (1976-77): 1. Preludio: Andante by Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Concerto grosso no.1 (1976-77): 1. Preludio: Andante Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': III. Con moto. Vivo. Andante by Leoš Janáček, Jerusalem QuartetString Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': III. Con moto. Vivo. AndanteLeoš Janáček, Jerusalem QuartetF♯ Major22B129 BPM
L'Histoire du soldat - Concert Suite / Part 2: Three Dances (Tango-Waltz-Ragtime) by Igor Stravinsky, Gidon Kremer, Eduard Brunner, Aloys Kontarsky, Alexandre Rabinovitch, Lukas Hagen, Krista Bennion Feeney, Tabea Zimmermann, Clemens Hagen, Martin WielandL'Histoire du soldat - Concert Suite / Part 2: Three Dances (Tango-Waltz-Ragtime)Igor Stravinsky, Gidon Kremer, Eduard Brunner, Aloys Kontarsky, Alexandre Rabinovitch, Lukas Hagen, Krista Bennion Feeney, Tabea Zimmermann, Clemens Hagen, Martin WielandA♭ Major44B139 BPM
Paert: Darf ich by Arvo Pärt, Gidon KremerPaert: Darf ichArvo Pärt, Gidon KremerD Major010B137 BPM
Fantasia In C Major, Op.159, D.934: 2. Allegretto by Franz Schubert, Gidon Kremer, Valery AfanassievFantasia In C Major, Op.159, D.934: 2. AllegrettoFranz Schubert, Gidon Kremer, Valery AfanassievG Major09B75 BPM
Verklärte Nacht, Op. 4: Grave (Takt 1) by Arnold Schoenberg, Orpheus Chamber OrchestraVerklärte Nacht, Op. 4: Grave (Takt 1)Arnold Schoenberg, Orpheus Chamber OrchestraF Major57B84 BPM
Carmen Fantasy, Op. 25: Introduction. Allegro moderato by Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-EstradaCarmen Fantasy, Op. 25: Introduction. Allegro moderatoPablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-EstradaC Major38B135 BPM
Vocalise No. 2 - Andantino by Milosz Magin, Lucas Debargue, Gidon KremerVocalise No. 2 - AndantinoMilosz Magin, Lucas Debargue, Gidon KremerN/AN/AN/A0 BPM
Lamentate: Minacciando by Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester StuttgartLamentate: MinacciandoArvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester StuttgartC Major08B72 BPM
String Quartet No. 2, Op. 10: I. Mäßig by Arnold Schoenberg, Malin Hartelius, Gringolts QuartetString Quartet No. 2, Op. 10: I. MäßigArnold Schoenberg, Malin Hartelius, Gringolts QuartetG Major19B80 BPM
Sinfonietta No. 2: I. Notturno: Adagio by Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni WitSinfonietta No. 2: I. Notturno: AdagioKrzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni WitB♭ Minor03A76 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7630584239959717

End: 0.7666785717010498