"Fauré / Arr. Rutter: Cantique de Jean Racine, Op. 11" by Gabriel Fauré, Edward Higginbottom, Capricorn, Choir of New College, Oxford was released on 1996. With this song being about 5 minutes long, at 5:18, "Fauré / Arr. Rutter: Cantique de Jean Racine, Op. 11" by Gabriel Fauré, Edward Higginbottom, Capricorn, Choir of New College, Oxford is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 26 in Agnus Dei Volumes 1 & 2 by Edward Higginbottom. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Fauré / Arr. Rutter: Cantique de Jean Racine, Op. 11 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré / Arr. Rutter: Cantique de Jean Racine, Op. 11 by Gabriel Fauré, Edward Higginbottom, Capricorn, Choir of New College, Oxford is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626: I. Requiem æternam (Introitus) | Wolfgang Amadeus Mozart, Laurence Equilbey, Sandrine Piau, Accentus, Insula Orchestra | B Minor | 1 | 10A | 135 BPM | ||
Chants d'Auvergne, Vol. 1: No. 2. Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 76 BPM | ||
Gloria: I'll Make Music | Karl Jenkins, Polyphony, Stephen Layton | A♭ Major | 1 | 4B | 79 BPM | ||
Dixit Dominus, HWV 232: Dixit Dominus | George Frideric Handel, Rory O'Connor, Angela Kazimierczuk, Charles Humphries, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 2 | 11A | 93 BPM | ||
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer | B Minor | 0 | 10A | 132 BPM | ||
Missa si Deus pro nobis, a 16 voci: I. Kyrie eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 94 BPM | ||
Vespers, Op. 37: Come, Let Us Worship | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F Major | 0 | 7B | 111 BPM | ||
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM | ||
Zadok The Priest (Coronation Anthem No. 1, HWV 258) | George Frideric Handel, Choir of New College, Oxford, Matthew Halls, Academy of Ancient Music, Edward Higginbottom | C Major | 1 | 8B | 166 BPM | ||
One Charming Night (Secrecy) | Henry Purcell, Sjaella | F♯ Minor | 0 | 11A | 85 BPM |
Section: 0.664604902267456
End: 0.6706314086914062