"Canteloube: Chants d'Auvergne, Book 1: Bailèro" by Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon was released on 1994. Canteloube: Chants d'Auvergne, Book 1: Bailèro is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 1 out of 39 in Canteloube : Chants d'Auvergne [Complete] by Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon. Canteloube: Chants d'Auvergne, Book 1: Bailèro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canteloube: Chants d'Auvergne, Book 1: Bailèro by Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 4: "Ayez la bonté de relever ce coussin" (La Prieure, Mère Marie) | Francis Poulenc, José van Dam, Kent Nagano, Orchestre De L'Opéra National De Lyon | D♭ Major | 1 | 3B | 96 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Das Lied von der Erde: IV. Von der Schönheit | Gustav Mahler, Kent Nagano, Orchestre Symphonique de Montréal | F Major | 2 | 7B | 92 BPM | ||
L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn" | George Frideric Handel, Lucy Crowe, Mark Padmore, The English Concert, Andrew Manze | A Major | 1 | 11B | 84 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
Concerto for Orchestra, Sz.116: V. Finale - Pesante — Presto | Béla Bartók, Augustin Dumay, Kent Nagano, Orchestre Symphonique de Montréal | B♭ Major | 0 | 6B | 114 BPM | ||
Bailéro (Shepherd's song of Auvergne hills) - Chants d'Auvergne - Remastered 2022 | Joseph Canteloube, Netania Davrath | A♭ Major | 2 | 4B | 59 BPM | ||
Deux bourrées (Two Bourrées), N’aïpas ieu de mio (I have no girl to love me), Lo Calhé (The quail) - Chants d'Auvergne - Remastered 2022 | Joseph Canteloube, Netania Davrath | A♭ Major | 2 | 4B | 59 BPM |
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