"Dido and Aeneas, Z. 626: Act III: Chorus: With drooping wings ye cupids come" by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble was released on May 14, 1997. With this song being about 5 minutes long, at 4:47, "Dido and Aeneas, Z. 626: Act III: Chorus: With drooping wings ye cupids come" by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 41 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #41. In terms of popularity, Dido and Aeneas, Z. 626: Act III: Chorus: With drooping wings ye cupids come is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas, Z. 626: Act III: Chorus: With drooping wings ye cupids come by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Les plaisirs: Gavotte pour les Suisses | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 121 BPM | ||
Concerto à 4 No. 1 in G Minor: III. Allegro | Baldassare Galuppi, Aglaia Ensemble | B Minor | 1 | 10A | 84 BPM | ||
Orfeo ed Euridice: Overtura | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | G Major | 2 | 9B | 76 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Great minds against themselves conspire" | Henry Purcell, Dominique Visse, John Bowen, Stephen Wallace, Lynne Dawson, Susan Bickley, René Jacobs, Maria Cristina Kiehr, Gerald Finley, Orchestra of the Age of Enlightenment, Robin Blaze, Rosemary Joshua | F♯ Minor | 1 | 11A | 75 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Violin Sonata No. 2 in D Major: I. Presto | Élisabeth Jacquet de La Guerre, Lina Tur Bonet, Patxi Montero, Kenneth Weiss | C Major | 1 | 8B | 86 BPM | ||
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM |
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