André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden made "Les deux pigeons - Suite (2002 - Remaster): Danse hongroises" available on 1988. The duration of Les deux pigeons - Suite (2002 - Remaster): Danse hongroises is about 3 minutes long, at 3:04. Based on our data, "Les deux pigeons - Suite (2002 - Remaster): Danse hongroises" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 21 in Delibes/Messager/Gounod : Ballet Music by Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Les deux pigeons - Suite (2002 - Remaster): Danse hongroises is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Les deux pigeons - Suite (2002 - Remaster): Danse hongroises by André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Strauss, R: Horn Concerto No. 1 in E-Flat Major, Op. 11: I. Allegro | Richard Strauss, David Pyatt/Britten Sinfonia/Nicholas Cleobury, Britten Sinfonia, Nicholas Cleobury | B Major | 3 | 1B | 133 BPM | ||
Fantasia symphonica: III. Allegro scherzoso | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | F Major | 1 | 7B | 94 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Messager: Véronique, Act 1: Air de l'amour. "Vrai Dieu, mes bons amis" (Florestan) | André Messager, Jules Gressier, Camille Maurane, Orchestre Lamoureux | F Major | 3 | 7B | 175 BPM | ||
Les Sylphides (orch. R. Douglas): I. Prelude (Op. 28, No. 7) | Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke | A Major | 0 | 11B | 99 BPM | ||
Coppelia Ballet Suite: Notturno | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 80 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM |
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