André Messager, Jules Gressier, Camille Maurane, Orchestre Lamoureux made "Messager: Véronique, Act 1: Air de l'amour. "Vrai Dieu, mes bons amis" (Florestan)" available on September 1, 2023. The duration of Messager: Véronique, Act 1: Air de l'amour. "Vrai Dieu, mes bons amis" (Florestan) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Messager: Véronique, Act 1: Air de l'amour. "Vrai Dieu, mes bons amis" (Florestan)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in André Messager, Martha Angelici, Camille Maurane, Orchestre Lamoureux, Jules Gressier's "Messager: Véronique" album is number 4 out of 16. On top of that, France appears to be the country where this track was created. The popularity of Messager: Véronique, Act 1: Air de l'amour. "Vrai Dieu, mes bons amis" (Florestan) is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Messager: Véronique, Act 1: Air de l'amour. "Vrai Dieu, mes bons amis" (Florestan) by André Messager, Jules Gressier, Camille Maurane, Orchestre Lamoureux to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen / Act 3: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 121 BPM | ||
Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
Symphony No. 3 in C Minor, Op. 78, "Organ": II. Poco adagio | Camille Saint-Saëns, Charles Münch, Berj Zamkochian, Boston Symphony Orchestra | D♭ Major | 1 | 3B | 90 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Solo de concours | André Messager, Les Solistes de l'Orchestre de Paris, Laurent Wagschal, Philippe Berrod | F♯ Major | 2 | 2B | 141 BPM | ||
Cinderella, Op. 87: Act I: No. 2. Shawl Dance - Allegretto | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Large Symphony Orchestra | A Major | 2 | 11B | 75 BPM | ||
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | ||
Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM |
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