"Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version)" by Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra was released on November 25, 2005. With Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edvard Grieg, Sir John Barbirolli, Sir Thomas Beecham's "Grieg: Orchestral Works" album is number 17 out of 49. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) by Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM | ||
La jota aragonese | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
Preliudai (Preludes): Preludias: Tranquillo | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | G Minor | 0 | 6A | 70 BPM | ||
La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes | Hector Berlioz, Royal Concertgebouw Orchestra, Antal Doráti | D Major | 0 | 10B | 121 BPM | ||
The Snow Maiden / Act 3: Dance of the Tumblers | Nikolai Rimsky-Korsakov, Belgrade National Opera Orchestra, Kreshimir Baranovich | B Minor | 1 | 10A | 81 BPM | ||
Prélude à l'après-midi d'un faune, CD 87a | Claude Debussy, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 1 | 1A | 62 BPM | ||
Symphony N. 1 in C Minore, Op. 68 - IV. Adagio–Allegro ma con brio | Johannes Brahms, Rudolf Kempe, Berliner Philharmoniker | C Major | 0 | 8B | 131 BPM | ||
Gounod : Faust : Act 2 Entr'acte | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Minor | 0 | 4A | 82 BPM | ||
Dances Fantastic for Orchestra: III. Lyric Dance | Loris Tjeknavorian | B♭ Minor | 0 | 3A | 136 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Philharmonie Südwestfalen, Nabil Shehata | E Minor | 1 | 9A | 134 BPM |
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