- BPM
- 81
- Key
- B Minor
- Camelot
- 10A
The Snow Maiden / Act 3: Dance of the Tumblers - Nikolai Rimsky-Korsakov, Belgrade National Opera Orchestra, Kreshimir Baranovich Information
- Acousticness
- 93%
- Danceability
- 33%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 68%
- Speechiness
- 3%
- Valence
- 10%
- Popularity
- 1%
- Loudness
- -19.142 dB
Summary
"The Snow Maiden / Act 3: Dance of the Tumblers" by Nikolai Rimsky-Korsakov, Belgrade National Opera Orchestra, Kreshimir Baranovich was released on January 1, 1957. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 53 in the song's album "Rimsky-Korsakov: Snow Maiden". In this album, this song's track order is #36. Furthermore, we believe that the track originated from United Kingdom. The Snow Maiden / Act 3: Dance of the Tumblers is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Snow Maiden / Act 3: Dance of the Tumblers BPM
With The Snow Maiden / Act 3: Dance of the Tumblers by Nikolai Rimsky-Korsakov, Belgrade National Opera Orchestra, Kreshimir Baranovich having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The Snow Maiden / Act 3: Dance of the Tumblers Key
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | |
 | Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | |
 | Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | |
 | Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | |
 | The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | |
 | Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | |
 | Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | |
 | Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | |
 | Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM |
- ISRC
- GBF075542436
- Label
- L-M Records/RCA Records
Section: 0.7110769748687744
End: 0.715346097946167