"Bachianas brasileiras No. 5, W. 389 (Arr. A. Lagoya for Guitar and Orchestra): 1. Aria" by Heitor Villa-Lobos, Alexandre Lagoya, Academy of St. Martin in the Fields, Kenneth Sillito was released on January 1, 1995. With this song being about 5 minutes long, at 4:41, "Bachianas brasileiras No. 5, W. 389 (Arr. A. Lagoya for Guitar and Orchestra): 1. Aria" by Heitor Villa-Lobos, Alexandre Lagoya, Academy of St. Martin in the Fields, Kenneth Sillito is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 15 in Bizet / Albéniz / Lagoya / Tárrega: Carmen Dances / Asturias / Variations sur "Jeux interdits" by Alexandre Lagoya, Academy of St. Martin in the Fields, Kenneth Sillito. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Bachianas brasileiras No. 5, W. 389 (Arr. A. Lagoya for Guitar and Orchestra): 1. Aria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bachianas brasileiras No. 5, W. 389 (Arr. A. Lagoya for Guitar and Orchestra): 1. Aria by Heitor Villa-Lobos, Alexandre Lagoya, Academy of St. Martin in the Fields, Kenneth Sillito is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
Ave Maria, D. 839, Op. 52, No. 6 (Ellens Gesang III from "Ein Fräulein vom See") [Arr. for Cello and Piano] | Franz Schubert, Yo-Yo Ma, Kathryn Stott | B♭ Major | 1 | 6B | 89 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Suite bergamasque, L. 75: 3. Clair de lune | Claude Debussy, Zoltán Kocsis | F Major | 1 | 7B | 92 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Mozart, L: Toy Symphony: I. Allegro (Also Attributed to Haydn or Angerer) | Leopold Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Tango en skai | Roland Dyens, Jason Vieaux | A Minor | 1 | 8A | 124 BPM | ||
Adagio in G Minor (Attrib. Albinoni) [Arr. for Chamber Orchestra] | Remo Giazotto, Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy | C Minor | 1 | 5A | 82 BPM |
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