"Adagio in G Minor (Attrib. Albinoni) [Arr. for Chamber Orchestra]" by Remo Giazotto, Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy was released on 1960. Since Adagio in G Minor (Attrib. Albinoni) [Arr. for Chamber Orchestra] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "Pachelbel: Canon; Albinoni: Adagio; Bach: Jesu, Joy of Man's Desiring; more". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Adagio in G Minor (Attrib. Albinoni) [Arr. for Chamber Orchestra] is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio in G Minor (Attrib. Albinoni) [Arr. for Chamber Orchestra] by Remo Giazotto, Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: Schwanengesang, D. 957: No. 4 Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
Tristesse, Op.6, No.2 | Gabriel Fauré, Mischa Maisky, Daria Hovora | F Minor | 0 | 4A | 97 BPM | ||
Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
15 Preludes: XIII. Andante cantabile | Nino Rota, Jimmy Brière | G Minor | 1 | 6A | 70 BPM | ||
Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Lauma Skride, Pauline Sachse | D Major | 0 | 10B | 169 BPM | ||
Ellens dritter Gesang, D. 839 | Franz Schubert, François Salque, Claire-Marie Le Guay | B♭ Major | 0 | 6B | 80 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Suite No. 2 for Jazz Orchestra: VII. Waltz (Arr. for Piano Quintet) | Dmitri Shostakovich, Philharmonic Five | C Minor | 2 | 5A | 107 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM |
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