"Ave Maria, D. 839, Op. 52, No. 6 (Ellens Gesang III from "Ein Fräulein vom See") [Arr. for Cello and Piano]" by Franz Schubert, Yo-Yo Ma, Kathryn Stott was released on 1992. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 18 in Encore by Yo-Yo Ma. Ave Maria, D. 839, Op. 52, No. 6 (Ellens Gesang III from "Ein Fräulein vom See") [Arr. for Cello and Piano] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria, D. 839, Op. 52, No. 6 (Ellens Gesang III from "Ein Fräulein vom See") [Arr. for Cello and Piano] by Franz Schubert, Yo-Yo Ma, Kathryn Stott is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Schubert: Schwanengesang, D. 957: No. 4 Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Zdes' khorosho, Op. 21, No. 7 | Sergei Rachmaninoff, Yo-Yo Ma, Kathryn Stott | A Major | 0 | 11B | 88 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Prelude in B minor | Johann Sebastian Bach/Alexander Siloti, James Rhodes | B Minor | 1 | 10A | 114 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Vocalise (From "14 Romances, Op. 34") | Sergei Rachmaninoff, Yo-Yo Ma, Bobby McFerrin | D♭ Major | 1 | 3B | 121 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM |
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