"Romanza for Violin & Piano" by Allan Pettersson, Ulf Wallin, Thomas Hoppe was released on July 28, 2023. The duration of Romanza for Violin & Piano is about 3 minutes long, at 3:12. Based on our data, "Romanza for Violin & Piano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Pettersson: Concerto No. 1 for Violin & String Quartet, 2 Elegies for Violin & Piano & Other Chamber Works". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. Romanza for Violin & Piano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romanza for Violin & Piano by Allan Pettersson, Ulf Wallin, Thomas Hoppe having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Rheingold, WWV 86A (Excerpts Arr. H. Behn for 2 Pianos): Scene 1 | Richard Wagner, Cord Garben, Thomas Hoppe | A♭ Major | 1 | 4B | 67 BPM | ||
Konzertstück for Violin & Orchestra in F-Sharp Minor, Op. 84: I. Allegro appassionato | Max Bruch, Ulf Wallin, Deutsches Symphonie-Orchester Berlin, Okko Kamu | E Major | 0 | 12B | 85 BPM | ||
4 Improvisations for String Trio: No. 3, Quarter Note = 88 | Allan Pettersson, Ulf Wallin, German Tcakulov, Alexander Wollheim | A♭ Major | 2 | 4B | 89 BPM | ||
7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM | ||
Rondo capriccioso, Op. 14: II. Presto leggiero (Arr. Yampolsky for Violin and Piano) | Felix Mendelssohn, Christian Li, Laurence Matheson | B♭ Minor | 1 | 3A | 64 BPM | ||
Bagatelles, Op. 47, B. 79: No. 3, Allegretto scherzando | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 124 BPM | ||
Suite No. 7, Op. 29: II. Poetico | Kurt Atterberg, Camerata Nordica, Ulf Wallin | F♯ Minor | 1 | 11A | 83 BPM | ||
Verklarte Nacht (Transfigured Night), Op. 4 (arr. E. Steuermann): Sehr langsam (bar 1) | Eduard Steuermann, Arnold Schoenberg, Ulf Wallin, Torleif Thedéen, Roland Pöntinen | G Minor | 1 | 6A | 89 BPM | ||
Symphony No. 6, Pt. 2: 3 Bars After Figure 177 | Allan Pettersson, Norrköping Symphony Orchestra, Christian Lindberg | A Minor | 2 | 8A | 129 BPM | ||
Histoire du Tango: II. Café 1930 (Arr. for violin and piano by Dmitriy Varelas) | Astor Piazzolla, Louise Bessette, Marc Djokic | G Minor | 1 | 6A | 132 BPM |
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