"Konzertstück for Violin & Orchestra in F-Sharp Minor, Op. 84: I. Allegro appassionato" by Max Bruch, Ulf Wallin, Deutsches Symphonie-Orchester Berlin, Okko Kamu was released on September 4, 2015. Konzertstück for Violin & Orchestra in F-Sharp Minor, Op. 84: I. Allegro appassionato appears to be safe for all ages as it is not explicit. The song is number 5 out of 6 in Bruch: Works for Violin & Orchestra by Max Bruch, Ulf Wallin, Deutsches Symphonie-Orchester Berlin, Okko Kamu. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Konzertstück for Violin & Orchestra in F-Sharp Minor, Op. 84: I. Allegro appassionato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Konzertstück for Violin & Orchestra in F-Sharp Minor, Op. 84: I. Allegro appassionato by Max Bruch, Ulf Wallin, Deutsches Symphonie-Orchester Berlin, Okko Kamu is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Lyric Pieces Book III, Op. 43: No. 6 To Spring | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Le Rouet d'Omphale, Op.31 | Camille Saint-Saëns, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 125 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Itzhak Perlman, Samuel Sanders | D Major | 1 | 10B | 176 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM |
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