"Histoire du Tango: II. Café 1930 (Arr. for violin and piano by Dmitriy Varelas)" by Astor Piazzolla, Louise Bessette, Marc Djokic was released on April 15, 2022. Since Histoire du Tango: II. Café 1930 (Arr. for violin and piano by Dmitriy Varelas) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 11 in Astor Piazzolla - Port of Call: Buenos Aires by Astor Piazzolla, Louise Bessette, Marc Djokic, Chloé Dominguez. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Histoire du Tango: II. Café 1930 (Arr. for violin and piano by Dmitriy Varelas)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Histoire du Tango: II. Café 1930 (Arr. for violin and piano by Dmitriy Varelas) by Astor Piazzolla, Louise Bessette, Marc Djokic is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor "Accademico": I. Allegro pesante | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
Plie (Piacer D'amor) [feat. Joyce Hammann] | Steven Mitchell, Joyce Hammann | E Major | 1 | 12B | 80 BPM | ||
Fantasiestücke, Op. 73, Mvt. 3 | Robert Schumann, Liv Glaser, Ernst Simon Glaser | A Minor | 2 | 8A | 113 BPM | ||
Vuelvo al Sur - Live - Remastered 2024 | Astor Piazzolla, Pietro Roffi, Alessandro Stella | G Minor | 0 | 6A | 107 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation IX | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 3 | 4A | 114 BPM | ||
Histoire du Tango: Concert d'aujourd'hui | Astor Piazzolla, Augustin Hadelich, Pablo Sainz Villegas | D Major | 4 | 10B | 158 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Steven Isserlis, Olivia Jageurs, Connie Shih | A Minor | 0 | 8A | 79 BPM | ||
Hexapoda: No. 4, Jim Jives | Robert Russell Bennett, Patrick Savage, Martin Cousin | B♭ Major | 2 | 6B | 59 BPM | ||
In the Moonlight | Heino Eller, Andres Kaljuste, Sophia Rahman | E Major | 1 | 12B | 131 BPM | ||
Ad Lumen (Towards Light) | Karl Jenkins, World Orchestra For Peace, Krzysztof Wisniewski | F Major | 2 | 7B | 105 BPM |
Section: 0.6196630001068115
End: 0.6246788501739502