"Symphony No. 6, Pt. 2: 3 Bars After Figure 177" by Allan Pettersson, Norrköping Symphony Orchestra, Christian Lindberg was released on January 26, 2024. Since Symphony No. 6, Pt. 2: 3 Bars After Figure 177 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 173 in the song's album "Pettersson: Complete Edition". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Symphony No. 6, Pt. 2: 3 Bars After Figure 177's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 6, Pt. 2: 3 Bars After Figure 177 by Allan Pettersson, Norrköping Symphony Orchestra, Christian Lindberg having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
4 Improvisations for String Trio: No. 3, Quarter Note = 88 | Allan Pettersson, Ulf Wallin, German Tcakulov, Alexander Wollheim | A♭ Major | 2 | 4B | 89 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 2: The Dirge | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 2 | 9A | 142 BPM | ||
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
Ravel: Alborada del Gracioso, M. 43 No. 4 | Maurice Ravel, Riccardo Muti, Philadelphia Orchestra | D Major | 1 | 10B | 123 BPM | ||
Sinfonia da Requiem, Op. 20: II. Dies irae. Allegro con fuoco - Alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | D Major | 2 | 10B | 148 BPM | ||
Symphony No. 14: 3 Bars After Figure 126 | Allan Pettersson, Norrköping Symphony Orchestra, Christian Lindberg | A Minor | 4 | 8A | 102 BPM | ||
Relâche, Pt. 1: No. 3, Entrée de la femme | Erik Satie, Ronald Corp, New London Orchestra | D Minor | 2 | 7A | 131 BPM |
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