"Suite No. 7, Op. 29: II. Poetico" by Kurt Atterberg, Camerata Nordica, Ulf Wallin was released on January 1, 2005. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 15 in Atterberg: Sinfonia for Strings / Adagio Amoroso / Suite No. 7 / Intermezzo / Prelude and Fugue by Kurt Atterberg, Ulf Wallin. Suite No. 7, Op. 29: II. Poetico is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 7, Op. 29: II. Poetico by Kurt Atterberg, Camerata Nordica, Ulf Wallin is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Yo-Yo Ma, André Previn, London Symphony Orchestra | C Minor | 1 | 5A | 109 BPM | ||
Suite No. 3, Op. 19, No. 1: I. Prelude | Kurt Atterberg, Johanna Persson, Sara Trobäck Hesselink, Swedish Chamber Orchestra, Petter Sundkvist | D♭ Minor | 1 | 12A | 88 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Zigeunerweisen, Op. 20: III. Un peu plus lent | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | C Minor | 0 | 5A | 88 BPM | ||
Kurt Atterburg : Suite No.3 for Violin, Viola and String Orchestra : Vision | Kurt Atterberg, Ara Malikian | E Minor | 3 | 9A | 179 BPM | ||
Novorossisk Chimes (The Fires of Eternal Glory), Op. 111b | Dmitri Shostakovich, Royal Philharmonic Orchestra, Vladimir Ashkenazy | E♭ Major | 2 | 5B | 72 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Symphony No. 9, Op. 54, "Sinfonia visionaria": XII. Nu stundar Friggas sorg den största (Baritone, Alto, Chorus) | Kurt Atterberg, Neeme Järvi, Gothenburg Symphony Orchestra, Olle Persson, Anna Larsson, Gothenburg Symphony Chorus | D Major | 0 | 10B | 137 BPM | ||
Concerto for Flute and Orchestra: II. Andante | Jacques Ibert, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | D♭ Major | 0 | 3B | 67 BPM |
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