"Concerto for Flute and Orchestra: II. Andante" by Jacques Ibert, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane was released on May 24, 2024. Since Concerto for Flute and Orchestra: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane's "Ibert, Jolivet & Rodrigo: Flute Concertos" album is number 2 out of 8. On top of that, United Kingdom appears to be the country where this track was created. Concerto for Flute and Orchestra: II. Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Flute and Orchestra: II. Andante by Jacques Ibert, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Tragédie de Salomé, Op. 50: V. Quatrième tableau | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | E Major | 0 | 12B | 77 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Excerpt) | Robert Schumann, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 0 | 8A | 86 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Entrée des écoliers et des ribaudes | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
Six Canonic Studies, Op. 56: No. 1, Con moto egual’e dolce (Arr. for Orchestra by Robin Holloway) | Johannes Brahms, BBC Symphony Orchestra, Paul Mann | C Major | 0 | 8B | 126 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: III. Of the Great Longing | Richard Strauss, Wolfgang Sawallisch, Michael Stairs, Philadelphia Orchestra | D Major | 0 | 10B | 65 BPM | ||
6 Pieces for Harp Solo: No. 2, Scherzetto | Jacques Ibert, Ellen Bødtker | D♭ Major | 2 | 3B | 85 BPM | ||
Sinfonietta: II. Andante | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | G Major | 1 | 9B | 80 BPM |
Section: 0.6668057441711426
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