Antonio Lotti, Núria Rial, Valer Sabadus's 'L'umiltà coronata in Esther: Sempre fido, sempre grato (Duetto)' came out on January 6, 2017. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Sacred Duets". In this album, this song's track order is #10. L'umiltà coronata in Esther: Sempre fido, sempre grato (Duetto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'umiltà coronata in Esther: Sempre fido, sempre grato (Duetto) by Antonio Lotti, Núria Rial, Valer Sabadus having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
To Thee We Sing - S.Rachmaninoff Version | Kiev Chamber Choir | E♭ Major | 1 | 5B | 132 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 136 BPM | ||
Lotti: Crucifixus a 8 voci | Antonio Lotti, Philip Ledger | C Minor | 1 | 5A | 139 BPM | ||
Salmo VI del Oficio de difuntos | Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay | F Minor | 1 | 4A | 132 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
O sacrum convivium! | Olivier Messiaen, Choir of St. John's College, Cambridge, George Guest | E♭ Minor | 1 | 2A | 79 BPM | ||
Missa Pro Defunctis: Christe | Antonio Lotti, Ensemble Métamorphoses de Paris, Maurice Bourbon, Anne Guidet, Edith Sauzay, Catherine Betchen, Marielle Debouverie, Jacques Maes, Jean-François Chiama, Sylvère Bourges, Enrico Bava, Jean-Louis Carlier, Marie-Françoise Cassou, Pascale Constantini | D♭ Minor | 2 | 12A | 88 BPM | ||
Kyrie Eleison In G Minor, Kcc 089 | Kiev Chamber Choir | G Minor | 1 | 6A | 82 BPM | ||
Mass in G Minor: Sanctus – Osanna I – Benedictus – Osanna II | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Matthew Brown, Hugh Cutting, Oliver Morris, James Beddoe, Andrew Nethsingha | D Minor | 0 | 7A | 74 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM |
Section: 0.6326069831848145
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