Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene made "Cantate Domino canticum novum" available on January 1, 1994. With Cantate Domino canticum novum being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 24 in Choral Music - Palestrina, G. / Josquin Des Prez / Viadana, L. / Viadana, L. / Victoria, T. / Byrd, W. (Beyond Chant Mysteries of the Renaissance) by Voices of Ascension Chorus, Dennis Keene. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Cantate Domino canticum novum's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Cantate Domino canticum novum by Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Sat Down Under His Shadow | Edward Bairstow, Westminster Choir, Joe Miller | E Major | 0 | 12B | 135 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 136 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Pieta, Signore | Louis Niedermeyer, Hei-Kyung Hong, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | C Minor | 1 | 5A | 69 BPM | ||
Ach, weh des leiden | Hans Leo Hassler, Trinity Baroque, Julian Podger | G Minor | 0 | 6A | 108 BPM | ||
Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
The Conversion of Saul | Z. Randall Stroope, Santa Fe Desert Chorale, Linda Mack | F♯ Major | 0 | 2B | 83 BPM | ||
Messe brève No. 7: IIa. Domine Fili unigenite | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | F Major | 0 | 7B | 137 BPM |
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