"Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee" by Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk was released on April 1, 2006. The duration of Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee is about 3 minutes long, at 3:18. Based on our data, "Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Tchaikovsky: Liturgy of St. John Chrysostom". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee by Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Passing of the Year: No. 1. Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | G Major | 1 | 9B | 143 BPM | ||
Do Not Cast Me off in the Time of Old Age | Men's Choir of the Valaam Singing Culture Institute | C Minor | 1 | 5A | 63 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
6 Chansons: No. 5. En hiver | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D Minor | 1 | 7A | 129 BPM | ||
Missa super mon coeur se recomande: Sanctus | Philippe de Monte, Ensemble Freiberger Dom-Music, Chordae Freybergensis, Albrecht Koch | D♭ Major | 1 | 3B | 86 BPM | ||
Dum transisset Sabbatum | John Taverner, Choir of Clare College, Cambridge, Graham Ross | D Minor | 1 | 7A | 76 BPM | ||
O ignis spiritus Paracliti | Hildegard von Bingen, Sequentia, Barbara Thornton | E♭ Major | 0 | 5B | 67 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Responsory: O felix anima | Hildegard von Bingen, Anonymous 4 | B♭ Minor | 0 | 3A | 103 BPM |
Section: 0.6376209259033203
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