"Trio in E-Flat Major, D. 929: II. Andante con moto" by Franz Schubert, Isaac Stern, Leonard Rose, Eugene Istomin was released on 1957. Since Trio in E-Flat Major, D. 929: II. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Schubert & Haydn: Piano Trios - Mozart: Piano Quartet". In this album, this song's track order is #4. In terms of popularity, Trio in E-Flat Major, D. 929: II. Andante con moto is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio in E-Flat Major, D. 929: II. Andante con moto by Franz Schubert, Isaac Stern, Leonard Rose, Eugene Istomin having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio for Strings and Organ in G Minor | Remo Giazotto, Eriko Sato, Edward Brewer, Orpheus Chamber Orchestra | C Minor | 1 | 5A | 172 BPM | ||
Violin Concerto: II. - | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | C Minor | 1 | 5A | 82 BPM | ||
Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Suite en mi mineur (Version 53) : Le rappel des oiseaux | Jean-Philippe Rameau, Marcelle Meyer | D Major | 0 | 10B | 186 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Concerto pour deux pianos et orchestre en ré mineur, FP 61: II. Larghetto | Francis Poulenc, Eric Le Sage, Frank Braley, Orchestre Philharmonique de Liège, Stéphane Denève | E Major | 5 | 12B | 85 BPM | ||
Cello Suite No. 1 In G major, BWV 1007 : I. Prelude, Moderato | Pablo Casals | G Major | 2 | 9B | 65 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
Section: 0.6921029090881348
End: 0.6956498622894287