"Adagio for Strings and Organ in G Minor" by Remo Giazotto, Eriko Sato, Edward Brewer, Orpheus Chamber Orchestra was released on January 1, 1990. Since Adagio for Strings and Organ in G Minor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Orpheus Chamber Orchestra - Baroque Highlights". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. The popularity of Adagio for Strings and Organ in G Minor is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio for Strings and Organ in G Minor by Remo Giazotto, Eriko Sato, Edward Brewer, Orpheus Chamber Orchestra having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio for Strings and Organ in G Minor - Excerpt | Remo Giazotto, Lucerne Festival Strings, Rudolf Baumgartner | C Minor | 1 | 5A | 64 BPM | ||
Swan Lake, Op. 20, Act I No. 10: Scene: Moderato | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias Rouvali | E Minor | 2 | 9A | 82 BPM | ||
Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, John Williams, Louis Frémaux, Philharmonia Orchestra | B Minor | 1 | 10A | 111 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM | ||
Hashirim asher lish'lomo (The Songs of Solomon): No. 9. Eftach shir bisfatai | Salomone Rossi, Kathy Theil, Bente Vist, Jennifer Lane, Steven Rickards, Mark Bleeke, Michael Brown, Peter Becker, Kurt-Owen Richards, Edward Brewer, New York Baroque, Eric Milnes | E Major | 0 | 12B | 91 BPM | ||
3 Pieces in Baroque Style: No. 1. Aria | Krzysztof Penderecki, Sinfonia Varsovia | B♭ Major | 0 | 6B | 76 BPM | ||
Small Town | Peter Sculthorpe, Sydney Symphony Orchestra, Stuart Challender | F Major | 1 | 7B | 138 BPM | ||
Hail Gracious Glorianna, Hail! | Jeffrey Dooley, Howard Crook, David Carp, Dennis Godburn, Louise Shulman, Daniel Reed, Mary Springfels, Edward Brewer | D Major | 1 | 10B | 76 BPM | ||
Peer Gynt, Acte IV: I. Au matin (Prélude à l'acte lV) - Version française | Edvard Grieg, Orchestre de la Suisse Romande, Guillaume Tourniaire, Le Motet De Genève, Dietrich Henschel, Inger Dam-Jensen, Sophie Koch | E Major | 0 | 12B | 71 BPM | ||
Saint-Saëns: Le Carnaval des Animaux, R. 125: VII. Aquarium (Andantino) | Camille Saint-Saëns, Nash Ensemble | A Minor | 0 | 8A | 163 BPM |
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