Jean-Philippe Rameau, Karol Teutsch, Orchestre Leopoldinum-wroclaw's '6 Concerts transcrits en sextuor, Sixième concert: I. La poule' came out on September 1, 1992. 6 Concerts transcrits en sextuor, Sixième concert: I. La poule is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The track order of this song in Karol Teutsch, Orchestre Leopoldinum-wroclaw's "La grande sarabande de Handel" album is number 7 out of 10. In terms of popularity, 6 Concerts transcrits en sextuor, Sixième concert: I. La poule is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 6 Concerts transcrits en sextuor, Sixième concert: I. La poule by Jean-Philippe Rameau, Karol Teutsch, Orchestre Leopoldinum-wroclaw to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 114 BPM | ||
Concerto Grosso for 2 Violins, Strings and Continuo in A Minor, Op. 3/8, RV. 522: I. Allegro | Antonio Vivaldi, Elizabeth Wilcock, Michaela Comberti, The English Concert, Trevor Pinnock | A♭ Minor | 2 | 1A | 109 BPM | ||
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony | Henry Purcell, English Chamber Orchestra, Benjamin Britten | D Major | 3 | 10B | 81 BPM | ||
Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano | George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Edith Picht-Axenfeld, Herbert von Karajan, Karl Scheit, Friedrich Fischer, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": I. Allegro vivace | Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado | E Major | 2 | 12B | 75 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): I. Introduzione | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | B Major | 1 | 1B | 124 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM |
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